Search millions of objects in the collections including photographs, artworks, artifacts, scientific specimens, manuscripts, sound records, and transcripts. Following the Bicentennial Festival, Morris went on to other positions in the Smithsonian complex. Cloud cover over the region for days prevented good imagery. Visitors at the Smithsonian Folklife Festival, 2002. The Ukrainian language, the countrys art and its historyincluding the Slavic-Christian state centered in Kyiv a thousand years ago, the 19th-century flowering of Ukrainian culture and nationalism, the post-World War I Ukrainian republic, the Ukrainian independence movement of the early 1990s and its reaffirming Orange Revolution in 2004 and the Euromaidan Revolution in 2013-2014all represent an undeniable Ukrainian identity that is centuries in the making. The company generously embraced the challenge. B.A. Warfare introduces a whole slew of challenges beyond the ken of typical museum workbut the Ukrainian conservators, collection managers, museum directors and others have been vigilant in their defense of those items documenting their nations history, art, culture and identity. It produces more than a dozen new recordings annually, some from the archives, and others from contemporary documentation and recording projects. Like Poshyvailo and his HERI teams, conservators across Ukraine have taken stock of the situation, salvaging collections and materials as best they can. National Museum of American History In their "Artisan Initiative"., CFCH is dedicated to building the sustainability of craft traditions of individuals and groups. Yugoslav dancers rehearse on the South Terrace of the National Museum of History and Technology, now the National Museum of American History, before their performance at the seventh annual Festival of American Folklife, June 30 - July 8, 1973. (1996) University of Kansas; Ph.D. (2001) University of Kansas. Research specialties: Material culture, folklore and education, public programming. To date, almost 1,600 cases of potential damage to Ukrainian cultural heritage sites have been documented, including some 700 monuments and memorials, and more than 200 museums, archives and libraries. During that project, the Smithsonian formally established SCRI under the direction of curator and former U.S. Army monuments woman Cori Wegener, leading to similar efforts in the ensuing years to respond to cultural crises around the worldfrom temple-destroying earthquakes in Nepal to museum bombings in Syria and Iraq. B.A. Street and Delivery Address: Center for Folklife and Cultural Heritage Capital Gallery Building 600 Maryland Avenue SW Suite 2001 MRC 520 Washington, D.C. 20024. Noting the Smithsonians mission as a national and international cultural institution to help protect heritage in times of war, Smithsonian Secretary Lonnie G. Bunch III declared: The Smithsonian stands with the people of Ukraine during their most urgent time of need. SCRI, coordinating with Aliph and working with Poshyvailo, arranged to send needed funds and supplies through its long-standing partner in the Netherlandsthe Cultural Emergency Response. (2005) University of California, Los Angeles; PGCert. The archive continues to grow in tandem with both the annual Folklife Festival, and the Folkways record label; it serves as the documentation and research foundation for the activities of these other two units of the CFCH. Together they reflect diverse aspects of the Black religious experience and testify to the role religion has played in the struggle for human dignity and social equality. The Smithsonian Folklife Festival is an international exposition of living cultural heritage annually produced outdoors on the National Mall of the United States in Washington, D.C., by the Smithsonian Center for Folklife and Cultural Heritage. Cookie Policy Visit the IIIF page to learn more. M.A., Ohio State University. A third team involved in the more theoretical work on "cultural policy". Research specialties: cultural presentation and representation,cultural heritage policy, cultural disaster and response, material culture studies, museum controversies, indigenous knowledge systems, cultures of south Asia and the United States. (1980), Ph.D. (1990) Indiana University. The Center builds cultural understanding, strengthens communities, and reinforces our shared humanity through the Smithsonian Folklife Festival, Smithsonian Folkways Recordings, Cultural Sustainability initiatives, research and educational programs and the Ralph Rinzler Folklife Archives and Collections. (1989), M.A. Music HerStory explores these contributions through unique media collections from across the Smithsonian. Research specialties: Native American and Pacific Rim material culture, contemporary Native American art, museum practice. This intangible cultural heritage, transmitted from generation to generation, is constantly recreated by communities and groups in response to their environment, their interaction with nature and their history, and provides them with a sense of identity and continuity, thus promoting respect for cultural diversity and human creativity. The Archives documents the Centers work on the Smithsonian Folklife Festival and Smithsonian Folkways, and contains the recordings, photographs, papers, and objects related to several historical record labels. When the clouds cleared, satellite imagery confirmed what local residents had photographed with their cell phones: the tiny, isolated museum had been destroyed. Ralph Rinzler Performs at Festival of American Folklife, 1988. Folklife Festival In 2010, the Initiative for Global Citizen Diplomacy honored the Festival with a Best Practice Award for International Cultural Engagement, and, in 2017, the American Alliance of Museums recognized the Festival with a Sustainability Excellence Award. Curator, American Womens Music. Research specialties: Native American and Pacific Rim material culture, contemporary Native American art, museum practice. From the enslaved looking to the cosmos for freedom to popular sci-fi stories inspiring Black astronauts, to the musical influence of Sun Ra, OutKast, Janelle Monae, P-Funk, and more, this exhibition covers the broad and impactful spectrum of Afrofuturism. Non-profit organizations based in Washington, D.C. Short description is different from Wikidata, Creative Commons Attribution-ShareAlike License 3.0, Morris, James R. Smithsonian Impresario: A Memoir by James Morris (2011). (1993), A.B.D. Contact Soeun directly . Contact:PlaceJ1@si.edu, Sheehy, Daniel E., Curator and Director Emeritus, Smithsonian Folkways Recordings. (1976) Simmons College; M.A. On this Wikipedia the language links are at the top of the page across from the article title. Spirit in the Dark: Religion in Black Music, Activism and Popular Culture It began with the first Festival of American Folklife in 1967. Included in the more than 3,000 albums are the recordings of Woody Guthrie, Lead Belly, Pete Seeger, Bill Monroe, Doc Watson, Ella Jenkins, Bernice Johnson Reagon and thousands of others; civil rights movement songs and speeches; the poetry of Langston Hughes; historical Native American traditions; varied regional and immigrant songs; and music and spoken word traditions from across the globe. In a September 2022 presentation in New Yorks Ukrainian Museum during United Nations General Assembly week, Ukraines first lady Olena Zelenska and Ukrainian Ambassador to the U.S. Oksana Markarova clearly articulated this point. Mailing Address: Center for Folklife and Cultural Heritage Smithsonian Institution P.O. To date, the label has won six Grammy Awards, one Latin Grammy, 10 Grammy Lifetime Achievement Awards and 30 Independent Music Awards. Research specialties: Ethnomusicology, audiovisual archives, music industry, social organization, cosmology, ritual, oral narrative, South American Indians, Brazil. As with all archives, the Folklife Archives is currently working to move its entire collection into digital format, thus enabling global access to the artifacts. 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How, then, could conservators make house calls around the country at facilities storing collections of art, artifacts, books, documents, photographs and scientific specimens that documented the richness of Ukraines history, art, culture and scientific achievement? But the centers few vehicles were needed for civil defense purposes and thus unavailable. The Smithsonians Center for Folklife and Cultural Heritage promotes greater understanding and sustainability of cultural heritage across the United States and around the world through research, education and community engagement. Research specialties: Occupational folklife, veterans of World War II, American film and mass media. B.A. Support the Folklife Festival, Smithsonian Folkways Recordings, sustainability projects, educational outreach, and more. The Center for Folklife & Cultural Heritage (CFCH) is one of three cultural centers within the Smithsonian Institution in the United States. The Smithsonian accessed funding provided by its federal appropriations and tapped stalwart donorsBank of America and the Mellon Foundation to support packing and protection efforts and the acceleration of its satellite monitoring work. (1996) Pontificia Universidad Catlica de Chile; M.A. How can we ensure that ancient manuscripts best survive freezing temperatures, given the lack of heat in winter? Russia and its supporters were strategically marking the territory as Russian to solidify Moscows claimsand seemingly as a prelude to more aggressive moves. Introduced as a concept in the Brundtland Report published in 1987, sustainable development was originally defined as encompassing three domains: environmental, economic, and social. Search millions of objects in the collections including photographs, artworks, artifacts, scientific specimens, manuscripts, sound records, and transcripts. Research specialties: Sound archives, archives, traditional musicof the United States, Woody Guthrie, Lead Belly, record production, history of sound recordings. Lithuanian Blacksmith at Smithsonian Folklife Festival, 1998. Educational projects including items like teachers guides, guides to oral history, and lesson plans for learning about particular traditions are distributed online and in hard copy. Smithsonian Folkwaysisdedicated tosupporting cultural diversityandincreased understanding among peoplesthrough the documentation, preservation, and dissemination of sound. (1985) Wichita State University; M.A. Accessibility, Diversity & Inclusion, Anthropology - Cultural, Archival, Collections Management, Communication & Marketing, Computer & IT, Crafts, Cultural Heritage, Curatorial, Design, Development & Fundraising, Education, Film, Music, Photography, Public Affairs & Social Media, Research & Analysis, Special Events & Festivals, Women's Studies, Box 37012, MRC 520 Washington, D.C. 20013-7012. As part of SCRIs expanding research and training activities, Poshyvailo became first a trainee and then an instructor for the program and stayed in close contact with Wegener. National Museum of African American History and Culture (2011) Leiden; M.Phil. B.A. [9], The Archives' holdings were seeded by the business records of the Folkways Record label, which were acquired by the CFCH in 1987, and contain the business files of Lead Belly, Pete Seeger, and Woody Guthrie among others. For a list of individual collections included under the umbrella of Smithsonian Folkways, see, For specifics on research questions for this group, see, For a list of events sponsored by this research group, see, Convention for the Safeguarding of the Intangible Cultural Heritage, Ralph Rinzler Folklife Archives and Collections, European Charter for Regional or Minority Languages, "Sustaining Minority Languages in Europe (SMiLE)", Smithsonian Contributions and Studies Series, John F. Kennedy Center for the Performing Arts, https://en.wikipedia.org/w/index.php?title=Center_for_Folklife_and_Cultural_Heritage&oldid=1059238250. B.A. Currently there are three main research areas actively sponsored by CFCH. [1] Its motto is "culture of, by, and for the people", and it aims to encourage understanding and cultural sustainability through research, education, and community engagement. Contact:Cordovaa@si.edu, Deutsch, James I., Curator. Telephone: 202.633.6440 Fax: 202.633.6474 Email . Smithsonian Folkways Recordings is the nonprofit record label of the Smithsonian. B.A. Privacy Statement An aerial shot of the 1999 Smithsonian Folklife Festival, showing the site of the South Africa program. (1987) University of Maryland. Research specialties: American folklife, material culture, building arts, occupational folklife, Italian-American folklore, culture and aging, oral history, cultural and linguistic sustainability, public programming. He spearheaded the protracted negotiations to purchase the Folkways music collection from Moe Asch, including both recordings and business files. This is the moment when the CFCH took notice. (2011) New York University. (2004 and 2012) University of Maryland. Rinzler worked at the center until his death in 1994. Afrofuturism: A History of Black Futures Seitel, Peter, Senior Folklorist Emeritus. Research specialties: Sound archives, archives, traditional musicof the United States, Woody Guthrie, Lead Belly, record production, history of sound recordings. Director of Special Projects. (1967) Harvard University; M.A. Ralph Rinzler listens through headphones during the 1988 recording session for the album "Folkways: A Vision Shared." Working in collaboration with the Smithsonian initiative "Recovering Voices"., this interdisciplinary research program explores relationships between language revitalization, cultural heritage, and traditional cultural transmission. This includes not only the artifacts which are born-digital but also older analog forms which require reformatting for the digital world.[10]. (1972) State University of New York, Buffalo; M.A. Support the Folklife Festival, Smithsonian Folkways Recordings, sustainability projects, educational outreach, and more. The inventory now includes more than 28,000 sites. (1979) State University of New York at Binghamton; M.A. This identity is indeed an explicit target of Putins war, she said. Rinzler had previously worked at the Newport Folk Festival, and brought with him both the know-how and connections needed to pull together a new DC folk festival. (1970) Williams College; M.A. Research specialties: English country dance in the U.S., Scottish traditional song and the Folk Revival, comparative British and Appalachian folksong traditions. Texas: A Celebration of Music, Food, and Wine, Roots of Virginia Culture: The Past is Present, Carriers of Culture: Living Native Basket Traditions, Nuestra Msica: Music in Latino Culture (2005), Haiti: Freedom and Creativity from the Mountains to the Sea, Nuestra Msica: Music in Latino Culture (2004), South Africa: Crafting the Economic Renaissance of the Rainbow Nation, The Baltic Nations: Estonia, Latvia, and Lithuania, Heartbeat: The Voices of First Nations Women, Russian Roots, American Branches: Music in Two Worlds, The Czech Republic: Tradition and Transformation, Culture and Development in Latin America and the Caribbean, Masters of Traditional Arts: The National Endowment for the Arts National Heritage Fellows, Creativity and Resistance: Maroon Culture in the Americas, The Changing Soundscape in Indian Country, Forest, Field and Sea: Folklife in Indonesia, Roots of Rhythm and Blues: The Robert Johnson Era, Les Ftes Chez Nous: France and North America, The Caribbean: Cultural Encounters in the New World, Ingenuity and Tradition: The Common Wealth of Massachusetts, Migration to Metropolitan Washington: Making a New Place Home, Music from the Peoples of the Soviet Union, Cultural Conservation and Languages: America's Many Voices, Cultural Conservation: Traditional Crafts in a Post-Industrial Age, Black Urban Expressive Culture from Philadelphia, National Heritage Fellowships Program (1983), National Heritage Fellowships Program (1982), Music and Crafts of the Southeastern United States, Community Activities and Food Preservation, Folklife in the Museum: A Nation of Nations (1978), Folklife in the Museum: Renwick Gallery (1978), Folklife in the Museum: A Nation of Nations (1977), Folklife in the Museum: Hall of Musical Instruments, Folklife in the Museum: Renwick Gallery (1977). The lab has also used satellite monitoring to document looting. Our curators and scholars, drawn from folklore, anthropology, ethnomusicology, and a broad range of cultural studies, are distinguished in their practice of collaborative research and representation. (1976) University of Minnesota; M.Ln. Julia Lopez, a needle craft artist from California, demonstrates Mexican stitchery at the 1978 Festival of American Folklife. Its forms are, among others, language, literature, music, dance, games, mythology, rituals, customs, handicrafts, architecture and other arts. Ripley, S. Dillon. Toward the end of the fierce battle for Kherson in November 2022, museum staff at the Kherson Regional Art Museum reported that dozens of Russian specialists and aides haphazardly loaded two trucks with some 10,000 artworks without proper packing. Dr. Richard Kurin, the Smithsonian's Distinguished Scholar and Ambassador at Large, has served as the institution's Under Secretary and as director of the Center for Folklife and Cultural . Painters Rolando Mayen and Paula Kaufman in the Office of Exhibits Central's Graphics Department created these authentic commercial signs for the music tent in the Borderlands' program at the 1993 Festival of American Folklife. This eclectic collection of artifacts and activities came together at the Center for Folklife & Cultural Heritage through a series of fortuitous and unplanned events. The Center hosts the annual Folklife Festival on the National Mall and is home to Smithsonian Folkways Recordings. Eliot Elisofon Photographic Archives, African Art. At the 1985 Festival of American Folklife, the Hayride String Band performs. Satellite photography of the museum on February 14, 2022, prior to the invasion, shows the museum roof and surrounding area covered by snow. The Switzerland-based Aliph Foundation responded adroitly, quickly devoting several million dollars for packing and shipping supplies, fire extinguishers and other materials to scores of museums and institutions, and working closely with Ukrainian colleagues to improve collection storage facilities. At the outset of the Russian invasion, Ukrainian cultural officials and leaders responded quickly to protect facilities and collections from the shelling and bombing. Major projects have included the Anthology of American Folk Music, the Smithsonian Anthology of Hip-Hop and Rap, and numerous series on the music of Central Asia, the Andes, and other regions. These . The Smithsonian Folklife Festival is a research-based presentation of living cultural heritage annually produced outdoors on the National Mall. When we think about war, what comes to mind is that quest for power and territory, the violent use of destructive armaments and the horrific costs incurred in human lives lost and shattered. Visitors at the 2002 Smithsonian Folklife Festival. B.A. The center is composed of three distinct units. (2009) University of Hawaii at Mnoa/East West Center; M.A. The Center for Folklife and Cultural Heritage promotes greater understanding and sustainability of cultural heritage across the United States and around the world through research, education, and community engagement. The Smithsonian Folklife Festival is planned and implemented annually by the Festival staff at the Folklife center. It is this contemporary shift that CFCH bridges in its compound title of Folklife & Cultural Heritage. Research specialties: Caribbean/Latin American studies, Latino music, cultural representation. What unique knowledge is lost when a language has lost its last native speaker? The Dalai Lama, 2000 Smithsonian Folklife Festival. For the past nine months, a squad of Uber drivers has made more than 200 trips and racked up more than 30,000 miles taking conservators to hundreds of museums and offsite storage locations throughout Ukraine. That enables the monitoring of bombings, missile strikes, artillery shelling and fires. The centers collections are global in perspective, covering world ethnic performance traditions, spoken-word recordings, sounds of science and nature, occupational folklore and family folklore. A relatively small but interesting and well-documented material culture collection includes iconic and other items from the Festival and the Centers projects. Investigating Afrofuturist expression through art, music, activism and more, this exhibition explores and reveals Afrofuturisms historic and poignant engagement with African American history and popular culture. The CFCH contains (numerically) the largest collection in the Smithsonian, but is not fully open to the public. How can the Smithsonian help pack and move some 300,000 preserved plant specimensand quickly? The first lady spoke eloquently of the importance of history, art and culture in defining the identity of the Ukrainian people. (1977) Smith College; M.A. The Smithsonian Folkways Record label comprises a second team working at the center; they produce this non-profit music label with the goal of promoting and supporting the cultural diversity of sound. Curator. (1973) New York University; M.A. [8], The Smithsonian Folkways Recordings has as its stated mission to curate and provide public access to each item in their collection of folk music, spoken word, instruction, and sounds from around the world. By the time of the Bicentennial Celebration 10 years later, the DC Folklife Festival had been incorporated into the festivities for the national party with activities scheduled throughout the summer. B.A. B.A. Folklorist, Curator, Education Specialist. What precautions should be considered to avoid fire damage from shelling and water damage from extinguishing those fires? Contact:MotleyS@si.edu, NDiaye, Diana Baird, Cultural Specialist and Curator. While drawing on periods of the czarist Russian Empire and the Soviet era to make his case, Putin denies crucial cultural realities. Cultural Sustainability Research in Action. Director:Michael Atwood MasonTotal Full-Time Employees:45Annual Budget (federal, trust and business activities) FY 2017:$10 million. (1979) State University of New York at Binghamton; M.A. Rather, they suggest a targeted attack on Ukrainian history, culture and identity, a means toward Putins endsthe destruction is a deliberate attempt to obliterate Ukrainian history and culture. The impact of the Center is felt far beyond the National Mall. Street and Delivery Address Center for Folklife and Cultural Heritage Capital Gallery Building 600 Maryland Avenue SW Suite 2001 MRC 520 Washington, D.C. 20024. Research specialties: Intangible cultural heritage, Latin American music (specifically: USA, Mexico and Guatemala, Indigenous and migrant communities). The Smithsonian's Center for Folklife and Cultural Heritage promotes greater understanding and sustainability of cultural heritage across the United States and around the world through research, education and community engagement. B.A. (2007), Ph.D. (2015) New York University. 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